Having Danish heritage I have always had a keen interest in the world of Scandinavian design, where they believe ordinary objects should be beautiful, that design should enhance everyday life, and that good design should be accessible to all.

Danish architect Arne Jacobsen certainly followed this design philosophy. He created interiors for daily life - dissolving the boundaries between architecture, interior and industrial design.

Perhaps the best example of this is The SAS House hotel, built for the Scandinavian Airlines System in Copenhagen in 1960, and often considered Arne Jacobsen's masterwork.  The SAS House represented the pinnacle of his achievements, for which Jacobsen had designed every detail, from the exterior façade through to the new furniture, such as the now famous Egg and Swan chairs, fabrics, fixtures and even the silverware used in the restaurant.

The rooms were clean and abstract, without excessive decoration - an elegant ensemble of colours, materials, and forms. Every object and each function in the rooms was considered not only to create a harmonious whole, but also to respond to the way modern people live, work, dress, and even sleep.

A modular system of built-in paneling and cantilevered tables allowed for flexibility within the space.  The furnishings could be rearranged according to the needs of each guest and encompassed everything from a desk with drawers that open up to reveal a makeup mirror to the bed’s backboard, as well as ingenious inventions such as rail mounted adjustable reading lamps.

50 years on and the SAS House has been completely redeveloped.  Only room 606 has been carefully preserved and remains identical to Jacobsen’s original commission.

An unparalleled example of modern architecture and design and a must for Arne Jacobsen fans, Room 606 still functions as a regular guestroom and is available for overnight stays.  With it’s grey, blue-green colours, wengé timber paneling and a selection of the most representative furniture designed for the hotel, this room takes its visitors to another time and place, yet still manages to seem relevant today, the hallmark of truly great design.

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The biennial Euroluce, International Lighting Exhibition at this year’s Salone del Mobile was responsible for producing many examples of beautiful new lighting. It seems to me that 2013 was the year of sexy LED lights. The fittings are slimmer and trimmer than even before with thin lines and profiles pushed to outer limits of possibility. Here are few of my favourites released this year.

01// ‘Wireflow’ series of LED pendant lights by Arik Levy for Vibia map out the space in three dimensions with the most delicate wire frame.

02// String Lights by Michael Anastassiades for Flos are another fine example of this year’s trend for impossibly thin lines and elegant LED light fittings.

03// Ascent by Daniel Rybakken for Luceplan is a table lamp that dims as it's pushed down a thin vertical stand.

04// 'Set' by J Ll Xuclà for Vibia cleverly uses light and shadow to produce unique effects with this infinitely modular collection.

05// ‘TheLight’ pendant lamp by Cristian Cubiñá for Alma Light appears as a contemporary version Art Deco style.

06// IC table light by Michael Anastassiades for Flos. Opaline sphere balancing on fine brass rods.

07// Under my tree lamp by Florian Brillet for Ligne Roset – a portable garden lamp which can be hung on tree branches.

08// Supernova F floor lamp by Delta Light features a slim, semi-transparent adjustable disc fitted with LED elements.

09// YOKO table lamp by Anderssen & Voll for Foscarini. A transparent glass shade fits over the illuminated body.

10// Jar RGB by Arik Levy for Lasvit features thin colorful glass blowing techniques and the idea of RGB color mixing.

11// New York-based designer Lindsey Adelman created a collection of lighting called Catch, which were on show at the Nilufar Gallery in Milan.

12// Knot by Ingo Maurer. Part LED lamp, part sculpture, each one is made of polyamide, steel, aluminium, and produced individually by means of 3D printing.

13// Graphic Lamp Collection by Delightfull. Floor, table and wall fixtures based on a wide selection of iconic type fonts with a twist.

14// Amuleto Lamp by Alessandro Mendini for Ramun, on show at Galleria Jannone.

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INTRODUCING THE FINALISTS ...

Celebrating and rewarding the breadth of talent within Australia’s interior design industry lies at the heart of these prestigious awards, now in their third year.  This year the Awards received the largest number of entrants to date, Belle, in association with leading Australian furniture and design brand Coco Republic, is excited to announce this year’s finalists.

Across the residential, commercial, corporate and hospitality categories, the finalists have been chosen for excellence in innovation design, quality of execution and realisation of the client’s brief. 

The calibre of this year’s entries has been second to none, with Belle Editor-in-chief Neale Whitaker citing Australia’s interior design signature as world-class.  “The exciting thing is that every year the confidence of Australian interior design grows,” comments Neale.  “It has developed a profile that is truly international, directional and dynamic.”

The winners will be announced on May 22 at a champagne reception at Coco Republic’s Alexandria Showroom, Sydney.

Congratulations to all the finalists:

RESIDENTIAL

• Brighton house, Melbourne - Greg Natale Design
• Carlton residence, Melbourne - Hecker Guthrie
• Perikic house, Sydney - Greg Natale Design
• Sydney harbour house - Justine Hugh‐Jones Design

HOSPITALITY

• Claremont Tonic, Melbourne - Hecker Guthrie
• Monopole, Sydney - Pascale Gomes McNabb
• Rosetta, Melbourne - BKH

COMMERCIAL

• George & Allen, Sydney - Hecker Guthrie
• Jac + Jack, Sydney - George Livissianis
• Peter G Bouchier, Melbourne - Doherty Lynch

CORPORATE

• Clemenger, Melbourne - Foolscap Studio
• Design studio, Sydney - Thomas Hamel & Associates
• Resolution, Sydney - Tom Ferguson Architecture & Design

INTERIOR DESIGNER OF THE YEAR

• Iain Halliday, BKH
• Paul Hecker and Hamish Guthrie, Hecker Guthrie  
• Greg Natale, Greg Natale Design

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Amanda Talbot has some serious design credentials: editor, design consultant and author, blogger – she’s the real deal when it comes to interiors, living and style. 

Over the years, Amanda has worked for some of the biggest décor magazines and design firms on the planet, including Livingetc and British ELLE Decoration, as well as consulted for brands such as Ikea and WGSN.  She is currently editing her own collection of design ideas on her blog SnOOP and, this month, joins the Coco Republic Design School to host a class on her designs and the global shift in living and design.

Amanda shares some of her thoughts with us in anticipation of her upcoming Coco Republic Design School Speaker Session:

As a design consultant and editor working overseas, how would you define the Australian aesthetic? How does Australian design stand out on the world stage?

Europe and the UK are 'old mixed with new' and Australia is 'new mixed with old'. In the UK they spend a lot more time indoors so are more likely to use warmer colours to create a cosy environment and style mis-matched furniture and objects from a mix of periods.

In Australia our life is surrounded by the outdoors and we love to connect the inside and out together.  As well, Australian's are definitely more conservative when it comes to interior design and more likely to stick with one kind of look when designing. We don't tend to layer so many textures and colours in Australia because we want a space to feel light, bright and have a clean, simple flow. Since being back home here in Australia, I have seen reclaimed timber, clean lines, and modern craft appearing as decorative trends.

What are some of the big decorating and design trends coming from overseas?  What are people getting excited about?

Colour! Expect to see furniture and homewares arriving on our shores soon bursting with blues, greens, reds and yellow hues. Design is becoming more playful and stepping away from the minimal style of design we have been seeing over the last few years. It's becoming more wild, textural and raw.  Expect to see coloured timbers, leathers and stone.

You have expressed there is a recent change in traditional living globally:  what does that mean and what can we expect?

Good design is no longer just about colour, function and aesthetics. It is about creating a product, an idea, a space that can enhance our life and help us deal with what obstacles this changing world is throwing at us. Our houses are no longer simply homes but places where we work, study, socialise and shop. We demand dwellings that celebrate the rituals of domestic life and allow for privacy and change of mood.

More and more people are choosing to live in apartments in the heart of the city rather than family homes in the suburbs.  The option to live in a big house that accommodates all family members is becoming less and less of a possibility. The new "downsized" home however presents a challenge when there's a shortage of bedrooms, bathrooms, storage, communal areas and gardens. Privacy and space is are now considered a luxury and creating them is the biggest challenge architects and designers face.

The future home is going to be smaller, smarter, and sustainable.  In the future home, standard buildings will include low carbon emission technology, reliance on renewable energy and the use of clever design incorporating elements like solar panels. Materials will be either recyclable or will not end up in landfill at the end of their cycle. The future home is also about individuality and the push away from the mass-produced or current fads in design.  

How do you pick the trends and spot inspiration?

I think a lot of people think forecasting is looking into a crystal ball. It's not.  I keep up with global and local trends regarding the environment, economics, technology, and politics.  When you understand what's going on with people's psyches you can predict how they react when shopping and decorating. My belief is we can only fulfill people's needs and desires when we understand what they are. We need to dig deep and understand their priorities, values, inspirations, likes and dislikes.

Experience plays a big part in what I do. Being in the industry for such a long time and having an obsession for design, like I do, makes it easier to spot new ideas and trends. 

I also spend a lot of time on social media, keep up with what young designers are producing, street fashion, trade fairs, and just walking the streets and going to movies and galleries.

Want to know more?  What does this all mean to you?  Book your place in Amanda's upcoming Speaker Session at the Coco Republic Design School.  Sessions are on Tuesday 14th May 6pm and Friday 17th May 10am.  Enrol Today.

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Stools are one of the most versatile items for all interiors. Personally, I love to change things around all the time. But there only so many ways you can change around your sofa or dining table.

Stools on the other hand, can be moved around endlessly, with endless uses.

They can be used as side tables, doubled up as a coffee table, bath side table, bed side table, used as occasional chairs in a living room, bar stools, dining chairs, underneath wall tables, in lonely corners, dressing chair, at the end of the bed, as a footstool, outdoor seating, or even keeping a pair in the cupboard for when you have extra guests over. They can be used absolutely everywhere!

Shop the look with the Coco Republic Macy Side Table, Twisted Stool, Nugget Stool and Eye Spy Stool.   

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Feast your eyes on this spectacular designer home – a Milan sanctuary owned by shoe and accessory designer Brian Atwood, styled and decorated by the inspired Nate Berkus.

Personally my favourite space is the living/dining area. The mirrored wall gives an illusion of space while the wood floors and Martinique leaf wallpaper create warmth and intimacy.  I adore the linear vintage Arredoluce Triennale floor lamp, the sumptuous white lounge by Patricia Urquiola for B&B Italia and the sculptural vintage hand chair. As personal touch, Atwood has cleverly upholstered the vintage Milo Baughman armchair (sitting behind the striking brass & glass 1970-circa desk) in the same suede he uses for his footwear and accessories.

A limited palette of white, black and navy with splashes of green, teamed with accents of brass, chrome and leather, creates a controlled but harmonious space.  Stunning contemporary pieces combined cleverly with vintage finds create a unique and stylish interior brimming with character.

Images via www.elledecor.com

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One of my favourite things about attending Milan Design Week (apart from the obvious general fabulousness of it all) is discovering new talent and spot future design stars in the making. I am no trend forecaster, but there is that certain feeling I get when I see real potential in someone’s work.

For this reason, places like SaloneSatellite, Vanetura Lambrate and Spazio Rosanna Orladni amongst a few others, are super high up on my list of places to visit. Here are just a few of my favourites discovered this year.

01// Black Ceiling Suspended Lamp by Atelier Areti, studio formed in 2008 by sisters Gwendolyn and Guillane Kerschbaumer.

02// The Camerino Valet Stand by Joscha Brose and Matteo Fogale of Brose ~ Fogale. This product will be launched on the crowd funding platform Kickstarter with the aim to explore the influence of digital innovation in the User-Designer relationship.

03// Modified Coat Hanger by Taewoo Kim, young Seoul born graduate of Mechanical Engineering who now lives and works in Milan.

04// ECCO Chair by Andrea Borgogni. The frame on these chairs is made from one piece of steel tube curved in one step. Also available in all white.

05// Giraffe Floor Lamp by Swiss design studio BERNHARD | BURKARD, established in 2010 by Fabian Bernhard and Thomas Burkard. The designers are currently looking for a producer and a distributor.

06// Come as you Are bar cart form Admit One Gentleman collection by DANTE, design studio established in 2012 by artist Aylin Langreuter and industrial designer Christophe de la Fontaine.

07// El Santo Libre chair and footstool from the 2013 collection Admit One Gentleman by DANTE.

08// Spåna Cabinet by young Swedish designer Lukas Dahlen. Made from Gotlandish pine, selected shingles from Norrland and limestone top from Slite stenhuggeri at Gotland 

Cleaved shingles of pine is a traditional technique for roofing.

09// Handmade rocking chairs by Macedorama, a rocking chair factory, formed in Madrid in November 2011 by a Colombian-Caribbean coast artisan Rogelio, and designers Lys Villalba, Maria Mallo and Juanito Jones.

10// Banquette Seat by Micomoler. The seat can either be used as shown, or as a low tea table with seat cushions for up to 4 people.

11// Embroidered Blue by Room Interior/ designers Keti Toloraia and Nata Janberidze. This bench seat form their latest collection represents designers personal identity and a mix of Georgian cultural origin and the Soviet Era.

12// Circus Sideboard by London-based Studio Roso .

13// Le bureau de Paolo by Sam Baron Secondome - Teak wood table, limited edition of 8 pieces.

14// Glass Collections by Secondome, Italian Design gallery which is now also a brand started up by Claudia Pignatale, young Italian architect from Rome.

15// Plièe Lanters by Chiara Andreatti, a series of lanterns with metal white painted structure and covering in pleated fabric. The lampshades are 'dressed' on the metal structure, thanks to the elasticity of the fabric. Fabric types: Chevron, scale, rumble and classical; with cut / stitch edging and contrasting coloured cord.

16// Salad Ink by Chiara Andreatti is a collection of porcelain tableware inspired by the world of plants; fruits and vegetables wet ink, assume the function of stamps, becoming almost fossil on the surface of the objects.

17// Carattere Tipografico is a kitchen ‘body type’ made from a single piece of marble for measuring correct amount of spaghetti (from one to four people). Designed by Studio Lievito, Italian studio established in 2010 Laura Passalacqua, Francesco Taviani and Jacopo Volpi.

18// Rollware by Giulia Cosenza, Joanne Choueiri and Povilas Raskevicius from the Masters of Interior Architecture & Retail Design (MIARD) at Rotterdam's Piet Zwart Institute. Photos © Willem de Kooning Academy & Piet Zwart Institute.

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Continuing on from Part I...

12// Secreto Coffee Table by Milan based studio Lorenz * Kaz for new brand Colé. Beautiful play of colours, shapes and proportions.

13// 45°/vetrina cabinet by Ron Gilad for Molteni. A study in simplicity, perfect proportions and impecable detailing.

14// Casta by José Manuel Ferrero José Manuel Ferrero, of Estudi{H}ac for Sancal. This small armchair is based on a castanet, one of the most emblematic Spanish instruments. Just as two halves of the castanet are clapped together, the armchair’s curved metal structure is made of two elements that have been welded into place.

15// 'Mirror Chair' for Glas Italia by Nendo. Photo by Hiroshi Iwasaki.

It would be impossible to do any kind of roundup without featuring Oki Sato and Nendo at least once. This omnipresent designer broke an unofficial record of releasing the most amount of products in Milan this year.

16// Low table from the DEEP SEA collection designed by Nendo studio for Glas Italia. Photo by Hiroshi Iwasaki. This collection expresses the technical manipulation of color, cut and adhesion for sheet glass.

17// Muller Van Severen furniture project was presented by Valerie Traan Gallery. Belgian photographer Fien Muller and her partner sculptor Hannes Van Severen's create the most beautiful collection of tables, lamps and chairs uses unpainted steel and simple polyurethane for.

18// Recession Chair by Tjep. explores the visual impact of receding in relation to a design object. The result is a skeleton like chair that looks as if it won’t withstand the weight of the person it’s supporting, yet the bronze casting provides it with the necessary.

19// Grand Cabinets by Swedish designer Mathieu Gustafsson and furniture maker Niklas Karlsson are inspired by the use of woven rattan and brass clasps in vintage handbags.

20// THIS chair by Stefan Diez for e15, from seating collection THIS THAT OTHER named after the famous card trick (although, I must admit that I don’t persoally know it!) Neon pink colour is part of the unique colour palette developed by Farah Ebrahimi for this collection.

21// Longwave from Successful Living From Diesel with Moroso. A beautiful, elegant and luxurious wingback chair with an attitude and rockstar appeal. How do they do that?

22// Letizia chair by Gastone Rinaldi for Poltrona Frau. Designed in 1954, the chair captures the true spirit of 1950’s iconic style.

23// Hella Jongerius has been lending her expertise with colour the Vitra for some time now. Her latest was the development of a new palette to Jean Prouve's Standard chair and the Eames' Hang it All coat hooks, relased in three new colours (my favourite ‘blue’ is shown).

24// Walk-in Closet by Hosun Ching for Leclettico. This clever wardrobe opens out into a mini-fitting room, complete with mirrors to view outfits from every angle. Brilliant!

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Giving you a succinct summary of the best furniture released at this year’s Salone del Mobile and Milan Design Week is a daunting task. An overwhelming amount of furniture and products are released in Milan each year – there are over a thousand exhibitors at the purpose built fairground in Rho, not to mention a whole series of events in the heart of the city and other alternative events in Ventura Lambrate and Zona Tortona. Having said this, I’ve never been the one not to step up to the challenge. Here are some new and re-released products that stood out this year...Part I:

01// Danish designer Nina Tolstrup used end-of-line Marc by Marc Jacobs fabrics to create sofas, daybeds, chairs and tables for London design gallery 19 Greek Street. Re-Imagined project builds on the designer’s interests in usefulness and re-using the existing, and seeeing the potential in the overlooked and forgotten.

02// 'Just Black' collection from various designers (Claesson Koivisto Rune, James Irvine, Jasper Morrison, Konstantin Grcic, Maddalena Casadei, Naoto Fukasawa, Ross Lovegrove, Thomas Sandell) for Marsotto Edizioni. This collection, usually made from white carrara marble, was reissued in "Nero Marquinia"(black marble) giving the pieces a more mysterious and sharper edge. Photo © Miro Zagnoli.

03// Labyrinth chair by Studio Job for Moooi. I really love the way the

designers worked on the fabric and the chair at the same time. In this case – neither the chair nor the fabric would work as well without the other. It’s a perfect partnership.

 04// 14/28 Cupboard by Ron Gilad for adele-c. "While creating pieces for Adele-C, I allowed myself the freedom to play with extreme irony and scale while maintaining the balance between the useful and the abstract; going all the way to the edge of the cliff but not jumping off."

05// TT side table by Ron Gilad for adele-c. Super refined and impossibly thin table is made from painted steel available in three colours. The name is an abbreviation of Tray Table – a tray that becomes a small table, a horizontal surface that seems to fly inside a metal cage.

06// Slovenian industrial designer Niko KRALJ designed his legendary Rex chair, now part of the permanent collection at MoMA in New York. Ranking among such international industrial design legends as Charles and Ray Eames or Alvar Aalto, Kralj received numerous awards and honors for his work. Today, his pieces are considered design classics.

 07// Besides the famous Rex chair, Niko Kralj also designed the Mosquito chair. Although this chair was designed in 1953, it has never been put into production until 2012.

 08// Element table by Tokuyin Yoshioka for Desalto was inspired by crystal structures The top appears to balance precariously on angled stands defying the odds of gravity.

09// Malmo based studo Andréason & Leibel showed a number of fantastic new products this year. My top pick would be this Babylon Tower Desk inspired by the sixteenth century painting by Bruegel.

10// Let’s keep going with the ombré for a moment. Bikini Wood timber chairs by Werner Aisslinger for Moroso in most delicious morphing colours. What’s not to love?

11// Stockholm-based design studio Claesson Koivisto Rune has collaborated with Italian furniture company Tacchini 
to develop 'Kelly' family of chairs. The pieces are influence by the work of American painter Ellsworth Kelly, featuring bright colors and irregular shapes seen in the artist's abstract sculptures. What’s not to love about a beautiful and elegant chair that doesn’t take itself too seriously.

Keep reading: Part II

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At first glance of Studio Toogood's portfolio, it is clear that there is an innovative and fearless creative force at the wheel.  The driver is Faye Toogood, a London based designer renowned for her creation of raw, sculptural, intuitive pieces and spaces.

Best explained on the Studio website;  "The studio collaborates with clients who seek alternative ways of developing their brand or interior.  Its distinctive approach disregards convention in favour of something altogether more brave, joyous and impulsive."

Although perhaps not for the conservative, I believe Toogood's furniture and installations are successful because they are not like anything else on the market, mainstream or boutique.  Her work captivates and excites an audience, whilst remaining functional and practical.  In my experience, this is not easily found and deserves special appreciation.  Viewing such a unique and unpredictable style is a pleasure, as if through her creations we are able to see directly in to the inspired mind of a true creative.  

Impressively, Toogood's creations are all hand made by small scale fabricators and traditional artisans that work and experiment with the materials inherent qualities.  I am won over.

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Very few people in this world deserve the label of a true innovator. Rosanna Orlandi is definitely one of those people. Her eponymous Spazio, a former tie factory, has been a must-see destination on the Milan Design Week circuit since it’s inception in the early 2000s.

Orlandi is best known for her ability to scoop up exclusive lines from small designers with big talent. Her gallery and retail space are much more than a showcase for her highly eclectic collection ranging from one off art pieces and designer furniture, to plastic forks and beautiful stationery.

There is a series of rooms and spaces within this magical design wonderland, where each room contains something new to be discovered. All of the spaces are linked with a beautiful central courtyard where food and drinks are served most of the day. This is the sort of place where you can expect to see Rosanna herself on most days, alongside the biggest names in the design business today. At the same time, equal attention is given to young talent and fresh graduates, which is precisely what gives this place it’s true charm. Spazio Rossana Orlandi is a true laboratory of ideas for both established and emerging talent.

Here are a few photos of some of my favourite moments and products discovered during my recent visit.

Spazio Rossana Orlandi
Via Matteo Bandello 14/16

20123 Milan, Italy

Photography: Nick Hughes

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This week I’ve been thinking a lot about the what makes a room incredible – what makes it stand out, why does it make people stop and turn their heads? Why is it a beautiful space to live in?  In gathering my thoughts, I’ve turned to the experts – so below is a compilation of some lessons learned about creating a stand-out interior.

“The first rule about decorating is that you can break almost all the other rules.” — Interior Designer, Billy Baldwin

 I couldn’t agree more Mr Baldwin!  The most important rule when designing a space is that the interior scheme suits the lifestyle and the personalities of its inhabitants.  Throw the strict rules out the window and balance individual pieces with design classics and you’ll create a space that’s got both personality and style.  


“The more mass produced our homes, furnishings and electronics become, the greater the appeal of handcrafted products.”
– Architectural Digest

This is so true for today’s interior design world – always include something completely unique, a one-off, something sourced or made that tells a story.  Whether it’s reclaimed antique timber floor boards imported from France and recreated into a marquetry dining table, or a hand woven Afghani wall hanging sourced while travelling, hand crafted irreplaceable pieces will always add an X factor!

“My main objective is determining how a space will feel, not how it will look.”
– Interior Designer, Terry Hunziker

The feeling created in a space should always be intentional.   Whether you want to achieve a sense of sereneness, or high energy, or warmth and comfort.  This mood will determine furniture, colours, patterns, textures flow and lighting – it will define the space.  The x-factor is how successfully this chosen mood is achieved.  

“Good design is forever.” – Zelina Brunschwig, director, textile décor company, Brunschwig & Fils (1897-1981)

A space that has the X-factor is timeless – and that doesn’t mean that it’s traditional, or classic. It can be modern, contemporary, daring.  But the design of the space, including the “bones” of the place, are so important. Invest in good quality hard surfaces like wooden floorboards, an elegant kitchen, beautifully crafted window and doorframes.  Invest in large furniture items that are simple, yet elegant.  You can cover these with scatters and change up the wall colours in line with current trends – decorating changes day to day, but good design is forever.

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Fresh off the boat from Paraguay, the exquisitely hand-crafted Drexel barstools and dining chairs have arrived at Coco Republic.

Upholstered in soft South American leather with a crossed-stitch detail trim, the Drexel family come in a variety of colours - black, brown, red and tan with a retro iron frame.

So cool in a family kitchen, breakfast bar seating at home, or restaurant, I can just tell this classic style will get better with age and over time, they’d have as much character as the Gauchos themselves.

Contact your nearest Coco Republic showroom for current availability.

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Louis Vuitton was originally founded in 1854 in Paris as a specialist leather trunk and travel bag producer.  In tribute to this historical craft, last December the legendary fashion house unveiled an unusual, premium travel collection titled Objets Nomades.

With the help of some of the world’s most talented object designers, 16 pieces have been curated and meticulously designed and crafted  to make globe trekking a lot more luxurious.

The pieces reference Louis Vuitton and his son Georges’ original bespoke travel commissions from the 19th Century, such as a trunk replete with a folding horsehair mattress for a trip to the Congo, or a trunk with a pull-out desk and a typewriter station. This bespoke service has been reinterpreted for the 21st Century to create a selection of collectible design items that are both beautiful in their form yet also functional in their design.  Louis Vuitton on Objets Nomades

My favorites are the swing chair by Patricia Urquiloa and the hammock by Atelier Oi. Which one is yours ?

Bon Voyage,

Julien

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There's something about The Boathouse Palm Beach that just hits the spot. A casual, organised and well-priced eatery pitched beautifully on a pier between a boat hire shed and a lush green golf course. Perfect for a casual sunset drink or that special event. If any of you have been there you'll know that it's a hit – one of the best eatery's in Australia in my opinion.

Boathouse owners Pip Robb and Andrew Goldsmith (also of Armchair Collective, Mona Vale) have recently rolled out this extremely successful formula, in Sydney’s Balmoral pier.

I popped down on the weekend and love it to bits. Sydney is made for this type of concept.  Baskets of fresh fruit nestled on crab baskets, in among clusters of potted plants.  Blackboard menus and a light blue colour palette was perfect in its simplicity. The sun was shining, skies were blue, the water was green, clean and lapping softly on the timber pillions – it made me feel extremely lucky to live in this beautiful country of ours. 

Unfortunately, you had to be even luckier to get yourself a table on a Saturday.  The wait was over 40 minutes to be seated, and then another 40 for food.  But I suppose that’s the price you pay for hitting the nail on the head.  I’ll definitely be back again, at an “off peak” time.  Nothing beats elegant food by the water, and The Boathouse Balmoral has got it so right.

PHOTOGRAPHY: Luisa Brimble for www.broadsheet.com.au

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The art world has been abuzz this month, as young Australian artist Ben Quilty, exhibits his highly anticipated new body of work.

Having returned from his stint as official Australian War Artist for the Australian War Memorial in Afghanistan, Quilty’s exhibition of incredibly vivid, emotionally charged portraits, has cemented his place as one of Australia’s most dynamic and applauded young painters.

Sydney born, Quilty studied Visual Arts from Sydney College of Arts and has worked full time as an artist since 2002, exhibiting regularly. He’s been shown internationally, and has a National Self Portrait Prize and an Archibald Prize under his belt (for his portrait of the much loved Australian artist Margaret Olley).

His recent body of work titled, After Afghanistan, is touring nationally.  For all tour dates and locations, visit The Australian War Memorial.

The artist's website is a beautiful retrospective; visit Ben Quilty for more. Or take a look at a selection of his work below:

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A homewares collection with history – each unique piece significant in design and material – is exactly what Oscar de la Renta Home is all about. 

The exquisite range of table ware and accessories is inspired by de la Renta’s life, style and personal experiences - broad indigo brushstrokes learned at a painting class in Japan, alfresco dining on the islands of the Dominican Republic, prints referenced from the archives of the designer’s ready-to-wear fashion collection.

Warm and earthy, the pieces ooze simple sophistication.  My obsession? The dark blue Pavillion Plate, Brushstroke Cocktail Plates or the Dip Dye Fish Serving Platter. 

Start your wish list below: which is your pick?

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If you’ve tuned into the first few episodes of the new season of Mad Men recently, you’ll understand my latest obsession with timeless glassware, cocktail classics and late night entertaining at home.  Indulging in this passion, I set up a bar in my living room – in a vintage 1940’s oak and glass cabinet – a stylish station where I can show off my martini glasses and mixing prowess to my thirsty friends.

While I still have a long way to go before I conquer the perfect New York Sour (egg white? No egg white?), I can suggest a few tips in selecting the perfect bar for your home and getting set up.

Look for a bar with plenty of storage for both bottles and glassware.  Go for a purpose designed bar option, such as the Dakota or Gramercy Park bars from Coco Republic with a classic aesthetic and plenty of storage in the doors.  Otherwise, go for something a little more unconventional – a mid-century style console will do the trick, or a butler’s tray on a stand. 

Before you guests come knocking, make sure you are fully equipped with glassware (I’d suggest stylish low ball glasses and martini glasses to start) and the right utensils and ingredients.  My essentials are a silver shaker, wooden muddler, Hendricks Gin, Vodka, Makers and Mark Bourbon, White Vermouth, Bitters, Indian Tonic Water, lime and lemon, Maraschino Cherries (because who can resist the cherry on top!) and of course ice. 

For more detail, Martha Stewart has a comprehensive beginners guide to setting up your bar at home.  And below I’ve collected some of the more inspired home bars I’ve come across – so if all else fails and your Negroni tastes like dish water, your bar will 100% look the part.

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As a property stylist, my job is to get the most out of your home when it goes on the market – so over the years I’ve learned a thing or two about selling and moving home.   If you’ve already read Part 1: Getting Ready For Market of this series, you’ll have successfully sold your home.  Now it’s time for the fun to begin…

Now I know you’ll be relieved to have sold your property, but the hard part is not over.  The move can often be just as daunting. 

Organisation is key to ensure it goes as flawlessly as possible. Hopefully you have  started the packing process as your were de-cluttering and prepping your home for sale.  Organise and label every box clearly with an inventory, so you know what’s in it on the other side.

Removalists are an integral part in this process.  Choose carefully – pick someone you can trust with your furniture and if you like, someone who offers a packing service as well.  Get 3-4 quotes to compare, and ask your friends.  Word of mouth is the best recommendation.

Look after your pets on the move too – relocating can be a stressful time for animals, so considering kenneling for a week until you’re settled on the other side.

And of course, don’t forget to let everyone know your on the move – gas, electric, phone, mail etc. 

Been through a move lately?  Leave your tips and tricks in the comment section below..

From the moment I stepped off the plane and found myself trapped in slow moving airport queues, I realized there wasn’t much point in doing things quickly in Cuba.  That aside, Havana (the nation’s capital) packs a punch! With a famed architectural landscape, captivating colour palette, plenty of dancing (and even more rum), the city’s rich culture and history is nothing but inspirational. 

As an interior designer, my eyes were wide open from the get-go.  Making my way to Old Havana, where the streets are dotted with vintage cars being repaired in the place they had broken down, I was mesmerized by the beauty in the decay - the faded pastel colours, the flakey paint, contrasted against opulent materials and design, all in a state of constant decay and repair.  Every street tells a story of a long history of survival.   

Architecturally, Cuba is a feast for the senses.  The Cathedral of Havana is original Cuban Baroque, while the Hotel Nacional in the Vedado District is a Deco masterpiece with a combined Moorish, Neo-Classical and Neo-Colonial influence.  The Palace Ballroom at the Museum of the Revolution (previously the Presidential Palace) should not be missed. And make sure you step away from the main tourists strip, Calle Obispo, to explore the back streets of the Centro District to witness the crumbling cityscape up close.

Romance and nostalgia are present everywhere.   Swan shaped towels arranged carefully on your hotel bed, a single stem rose on your restaurant table – glimpses of a bygone era frozen in time.  In a world of increasing modern globalization, this striking city, steeped in history, must be seen to be believed. 

The must do’s: For the hand-holding lovers, walk the Malecón (seawall) at sunset, dance till the morning light with the locals at La Casa de la Música, and end each day with a daiquiri and a Montecristo.

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A week back, I was traveling throughout Asia and had the obligatory stop over in Shanghai.  I always look forward to this part of the trip, as a stay at The PuLi Hotel is one of my absolute highlights.  

The spectacular hotel foyer, featuring back-lit chevron iron work, sets the scene as you enter.  Travel through, and you'll find yourself in the lobby (which is equally  inspiring) and has an almost Italian feel to it – very Zen in it’s interpretation.  Rattan and wicker chairs speak of Chinese heritage in the lower bar, while the ambient music playing is a serene refuge from the busy bustle of the dirty Shanghai street.  I can't fault it.

I always choose a suite, decorated in minimal detail and equip with a complimentary jar of my favourite sweets, the milk flavoured White Rabbits made locally in Shanghai. 

To top it off there is a Costa Coffee shop next door, not great by Sydney or Melbourne standards, but definitely one of the few high quality coffees in Asia and such a necessity when you're jet lagged and worn down from the hustle and bustle of travel.

Hotel PuLi comes highly recommended by me, make sure you check it out when you’re in town.

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Artist and former band member of Sneaky Sound System, Daimon Downey, inspires me on so many levels - his style, his music, his art and now his home!

I always say that your home should be an honest reflection of you and contain all the things that you want to be surrounded by. On this philosophy, Daimon Downey’s place is the perfect example. His free-spirited, eccentric space is full of energy and curiosities that can’t help but intrigue.

Almost everything in Daimon’s home is significant and has personal meaning, from a kangaroo figurine he has kept since childhood to a rug crocheted by his Mum (Homelife).  My personal favourites is the black and white hand painted Eames chair in his art studio, the inviting billowy Arflex leather armchair and the vibrant red pressed tin in the kitchen.  Pops of red and aqua are splashed throughout the home, sporadically linking the rooms with colour consistencies.

Injected with life, personality and loaded with punchy colour, here is a sneaky (pun intended) peak into the home of Daimon Downey.

Photography Felix Forest Styling Jason Grant

Photos via homelife.com.au

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Now that the days are getting shorter and the mornings are crisp, there’s nothing more comforting than snuggling up in your favourite spot, with a good book and a cup of hot chocolate.

Books nooks, reading corners and window seats can create a room within a room, a hideaway that can take on its own identity. Styling and layering with soft throw rugs, detailed scatter cushions and the right lighting will balance comfort with aesthetics.

Whether it be a bespoke window seat looking out into the garden, a comfy chair in an unused corner, or a little alcove tucked away under the stairs, the book nook can be the perfect escape and your own little sanctuary.

Get the book nook look:

CR Essentials Toulouse Curved Arm Chaise, Oly San Francisco Hamish Daybed, CR Essentials Sloane English Rolled Arm Chaise

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Faux Bois (French for false wood) is making a come back, appearing in fabrics, ceramics, wallpaper and furniture. Oly San Francisco does Faux Bois perfectly, mixing up different colours and finishes and using this style for tables, lamps, mirrors and chairs. The Faux Bois pieces from the Oly range are wonderfully organic, casual, yet have an historical aesthetic. Refined, elegant, subtle and lively, Faux Bois can compliment many styles and interiors and is the perfect way to update your home for Autumn.

Get the look with the Vincent Floor Lamp, Vincent Side Table, Beck Dining Table, and Twig Mirror from the Oly San Francisco range.

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Irish fashion designer Orla Kiely is famed for her iconic and covetable prints. You’re certain to recognize them as they’ve been reproduced for everything from stationary to high-end fashion and accessories. 

She also has a range for Home, which combines her distinctive flair for form and color with her understanding of function and practicality and includes furniture, ceramics, throws, towels, cushions and lighting.

Clearly inspired by mid-century design paired with a dash of 'utilitarian luxury', her home in Clapham, London is an explosion of colour and print.

Personally, I’m a fan of her choice in furniture and admire the way she has reinvented design classics by adding her original retro-flavoured prints. She is entirely unfraid of colour and it works to great effect in this enigmatic home.

What do you think?

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